Saturday, August 2, 2025
Wednesday, February 21, 2024
एब्स्ट्राक्ट चिन्तन: प्याज [Abstract Chintan: Pyaj]
Hariprasad Lamichhane was born on Chait 5th, 1984, in Jaisideval of Kathmandu as the eldest son of Rajkumari and Shankar. When he was very young, his parents separated, so he grew up with his maternal uncle in Mawali Ghar, Banaras, along with his maternal uncle after his mother remarried. Unfortunately, his maternal uncle passed away during their stay in Banaras. His mother then educated him at school in Banaras. Tragedy struck again when his mother also passed away a decade later. Following this, he returned to Kathmandu during his adolescence.
Lamichhane completed his education up to ISC. Later, he became involved in landownership. Just before the end of the Rana era, he acquired an estate position in Guthi Adda. After that, he became the president of the Nepal-India Cultural Center's library. After some time, he was transferred to the Indian Embassy as an ambassador and cultural assistant. However, he couldn't connect with the new environment and left due to his pride.
In the course of his estate career, Lamichhane was appointed as the chief manager in the domestic arts and sales depot. However, he couldn't stay there for long. Later, he also worked in cinema halls. He worked as a manager at Jana Sewa Cinema Hall, Nepal's first cinema hall. Yet, he was not successful in those positions either.
Personality and Writing Style:
Lamichhane was quite sociable. He was very close to Mahakavi Devkota. Both of them were experiencing financial difficulties at the time. However, their earnings were not substantial. Therefore, Lamichhane decided to engage Devkota in the profession of guiding foreign tourists. At that time, Lamichhane was working as a guide, and he saw this as another source of livelihood for Devkota. Devkota was also unaware like an ignorant child. Whatever he said, he believed. Whenever another man approached him with any idea, he would come and tell Lamichhane about it. However, Lamichhane was determined to help Devkota financially.
Lamichhane's contributory style is appreciated in Nepali essay writing. His progressive essays reflect intense intellectuality. He also worked as a businessman during his time. He experimented with words, style, and presentation in his writing. He continued to print his articles in literary sources for fifteen years. Later, he gradually became involved in discussions. However, he only produced works of depth. His essay collection "Abstract Thought Pyaj" won the 2024 Madan Prize. Many of his poems were published, and his short story collection "Ganthali ko Gund" (2025) was also published. Additionally, his personal-centered essay collection "Bimb Pratibimb" (2028) was published. His other essays, "Godhuli Sansar" (2027) and "Shankar Lamichhane" (2032), were also published.
Lamichhane is recognized by all those interested in Nepali literature. Especially in the domain of Nepali essays, his name comes after Mahakavi Devkota. However, he is perhaps not as appreciated by readers of essays as Devkota. In fact, he became very famous as a creative writer. He introduced new styles, dimensions, and environments in his essays. Therefore, he was considered unique in Nepali literature. Lamichhane also inspired others to write. His writing was a source of extraordinary inspiration. He wrote from the heart, from the mind, and from the words. This made his writing intellectually nourishing. Therefore, he quickly became popular. Additionally, his organizational style was appealing. On the request of Mahakavi Devkota, he became the secretary of the Poetry Establishment, and later he became the editor of Indreni. He also edited eight parts of Our Literature, a children's curriculum. He was equally dedicated to organization, editing, and creation in Nepali literature.
Listen Abstract Chintan Pyaj
Abstract Chintan Pyaj Episode 1
Abstract Chintan Pyaj Episode 2
Abstract Chintan Pyaj Episode 3
गोधूलि संसार [Godhuli Sansar]
"Godhuli Sansar" is a Nepali novel written by Shankar Lamichhane. The title translates to "The World of Dusk" in English. The novel explores themes of love, relationships, and societal issues against the backdrop of Nepali culture and traditions.
The story revolves around the lives of its characters, delving into their personal struggles, aspirations, and the complexities of human emotions. It provides insights into the cultural fabric of Nepal, depicting the challenges faced by individuals in a rapidly changing society while also celebrating the resilience and spirit of its people.
Overall, the novel has received positive reviews for its portrayal of Nepali society and its exploration of universal themes that transcend cultural boundaries. It stands as a testament to the rich literary tradition of Nepal and continues to captivate readers with its compelling storytelling.
You can listen Godhuli Sansar in Shruti Sambeg. Select episode and listen Godhuli Sansar.
Anubhab ra Jeevan : Aantarikchya Goreto
Aabha Gardeko Saudarya Sastra
Ek din jo Bachiyo : Khai Bhujhidaina
Janak ra Pita dubai | Jiwan ek Pradhyapak | Padhne tapasya
Dash barsha pachi | Somras Swayamras
Wednesday, February 7, 2024
Budhan ko Ghodi and Baazi
"Bhudhan ko Ghodi" and "Baazi" are two Nepali stories written by Mandira Madhushree.
"Bhudhan ko Ghodi" (translated as "The Horse of Bhudhan") is a story that revolves around the life of a man named Bhudhan who lives in a remote village of Nepal.
The story explores Bhudhan's struggles, aspirations, and his relationship with his community. The title "Bhudhan ko Ghodi" metaphorically represents Bhudhan's desire for freedom and progress, akin to riding a horse towards his dreams.
"Baazi" (translated as "The Game") is another story by Mandira Madhushree, which likely explores different themes and characters. However, without further context or information, it's challenging to provide a detailed description of this particular story. It could involve elements of competition, strategy, or interpersonal dynamics, given the title's suggestion of a "game."
Mandira Madhushree is known for her engaging storytelling and her ability to capture the essence of Nepali life and culture through her narratives. Her works often delve into the human experience, societal issues, and the complexities of relationships, resonating with readers both in Nepal and beyond.
You can listen Budhan ko Ghodi and Baazi in Shruti Sambeg. Select episode and listen Budhan ko Ghodi and Baazi.
Budhan ko Ghodi and Baazi Episode 1
Budhan ko Ghodi and Baazi Episode 2
Red Square
The title "Red Square" is evocative and may carry multiple meanings. It could be a reference to the political symbolism associated with red squares, as well as the historical and cultural significance of such a motif.
The narrative follows a diverse cast of characters whose lives become intertwined amidst the backdrop of political upheaval. As they navigate the challenges of a society in transition, they confront personal struggles, ethical dilemmas, and the consequences of their choices.
Krishna Dharabasi's writing in "Red Square" is known for its depth, insight, and social commentary. The novel offers readers a nuanced portrayal of Nepali society, shedding light on its complexities, contradictions, and aspirations.
"Red Square" has been well-received by readers and critics alike for its compelling narrative, well-developed characters, and thought-provoking themes. It has been praised for its ability to capture the essence of contemporary Nepal and its journey towards democracy and social justice.
Overall, "Red Square" stands as a significant contribution to Nepali literature, offering readers a compelling exploration of the intersections between politics, society, and human experience.
You can listen Red Square in Shruti Sambeg. Select episode and listen Red Square.
Red Square Episode 1
Red Square Episode 2
Red Square Episode 3
Red Square Episode 4
Red Square Episode 5
Red Square Episode 6
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